Celts: Art and Identity – The British Museum
As an exhibition this was a major influence of my Deadend works in how it openly struggled to present an ostensibly unknowable culture within the structuralist framework of received knowledge. It highlighted the problem of analysing (a) culture through the fixed parameters of current evidence based frameworks. There could be no clearer illustration of the distortion or impasse created by subject object separation. Each age projects an idea of itself onto the past – this is particularly apparent within the industrial Victorian romanticisation of the Celt. This apparent presentation of subjectivity as truth is what Cultural Materialism and Nonrepresentational theory redress.
Gundestrup Cauldron C150-50 BC