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Showing posts from November, 2013

Art under Attack - Tate Britain

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I was all set to over turn the tables and drive out the money lenders in the Art under Attack exhibition at the Tate Britain when I thought I ought rather to check what the curator’s intentions were. It turns out that the parameters were narrower than you might have presumed – this is an exhibition about “Image breaking in Britain”. The show does achieve this end which makes it’s rather puritanical air seem rather appropriate. As with all acts of creativity (curating included) no matter how scholarly the intention, something unintended will emerge. Something that resonates beyond the artist’s intentions. I’m including curators as artists as the idea of re-appropriating and re-presenting is what a lot of contemporary art is about. The something here is the question of literacy rewiring the brain until we (civilisation) somehow lose the language to express the ineffable problems of being human. There are a few powerful moments in the show. I say powerful but they are not the visceral in