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The Lost Estate

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"Sentimentality is when it doesn't come off – when it does, you get a true expression of life's sorrows." Was Fournier’s response to an accusation of said soppiness from his friend, the critic, Jacques Rivière. When I was painting the footballers from my childhood I was aware of the danger of leaving myself open to perceptions of sentimentality and in many respects this is what drove me on. Not out of sheer contrariness (although that always plays a part) but because I have made a pact with myself to follow hunches in my work. My hunch here is that this deep ache of longing is a real part of being human and not something to be drilled out of one’s system. The way to capture this is not to revel in it but to coax it out into view somehow. In the central room of my exhibition - Trope - there is a triptych I embarked upon about the time I bought the book le Grand Meaulnes. The title of the book has been awkward to translate and the English version is called The Lost...

sleep walking detective drama

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